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Volume #6 (Jan. '99 ~ )
- #393
- Video recommendation, insecurity and inspiration ...
- #394
Editor's note: Due to extreme time pressure during my 'exhibition season' I am unable to index these Archives at the moment. I'll get back to it when I can spare a bit more time ... Thank you for your patience!
- #395
- #396
- #397
- #398
- #399
- #400
- #401
- #402
- #403
- #404
- #405
- #406
- #407
- #408
- #409
- #410
- #411
- #412
- #413
- #414
- #415
- #416
- #417
- Hiroshige exhibition, woodblock preparation, Exchange discussion ...
- #418
- Woodblock preparation - kiln-drying vs air drying, visiting Dave's show, more about block preparation, Southern Graphics Council ...
- #419
- Lots more about woodblock preparation, printing 'gold', problems with printing overlaid colours ...
- #420
- More about logs to lumber, refinishing rollers, Dave's reprinting problem, finding books, ...
- #421
- Bit more about logs to lumber, Hideshi visits Dave's exhibition and asks some questions, inking rollers, colours offsetting, Hideshi-san's new print ...
- #422
- Bit more colours offsetting, book finding, pigment formulations, laminated hanshita ...
- #423
- Hideshi's print and the block, Shimano san passes away, bit more on colours offsetting, book finding, pigment formulations ...
- #424
- Using methyl cellulose, drills for carving ...
- #425
- Bit more about using methyl cellulose, drills for carving, new wood supplier ...
- #426
- Still more about using methyl cellulose, quote from Jack Shadbolt...
- #427
- Using Dremel tools, new press supplier (Polymetaal), question on cutting plywood ...
- #428
- The PanAm Print Exhibition, lots of answers about cutting plywood, announcing [Baren After Five], are Graham's prints too big? ...
- #429
- Bit more about cutting plywood, standard print sizes, comments about [Baren After Five] ...
- #430
- Blacker blacks (sumi concentrate), supplier comparisons ...
- #431
- Using Arches 88, using glycerin? ...
- #432
- Bit more on blacker blacks, Dave gets board ...
- #433
- More about Dave's board, a print exhibition announcement, computer generated images acceptable in exhibition? ...
- #434
- Bit more about colours offsetting, water vs oil?, responses to yesterday's 'computer generated images' question ...
- #435
- Graham's workshop, Katherine McKay's workshops, paper sizing, acid free matting tape, insect craftsmen ...
- #436
- Paper this and that, new member ...
- #437
- Boxwood inlays, baren skins, Yoshida book, sneak preview of the exchange prints ...
- #438
- Jim's press, alternative baren covers, more about matting tape ...
- #439
- More about alternative baren covers, best tape for hinges ...
- #440
- Visit to Hodaka Yoshida, administrative concerns ...
- #441
- Value of the one-point lessons, just _what_ is it that makes a suitable wood? ...
- #442
- Synthetic substitutes vs tradition ...
- #443
- Dave replies (!) to synthetic substitutes vs tradition, baren tying, new member, gradation techniques?, buying barens ...
- #444
- More on synthetic substitutes vs tradition, 'laser' carving ...
- #445
- List of printmaking workshops ...
- #446
- Heat-sensitive block transfers ...
- #447
- Bit more on heat-sensitive block transfers, book finding ...
- #448
- Wood-patching trouble, WJ Phillips prints ...
- #449
- Bit more about wood-patching, mounting prints on silk? ...
- #450
- Bit more about mounting prints on silk, press recommendations, David and the 'atedai' ...
- #451
- Press vs baren, mounting prints on silk ...
- #452
- Not much of anything in this digest ...
- #453
- Vandercooks, rice paste, teaching children?, press vs baren, recovering the baren, ink running? ...
- #454
- A good, meaty digest: why sizing?, avoiding blots, dry paper - wet paper? ...
- #455
- Dry paper - wet paper? ...
- #456
- Bit more on dry paper - wet paper?, pricing prints, avoiding blots, baren tying tips ...
- #457
- Acetate masks, art vs craft, new member ...
- #458
- Woods and wood supply, bit more on art vs craft, alum?, printmaking too difficult? ...
- #459
- Alum, printmaking too difficult? ...
- #460
- Bit more on alum, printmaking too difficult, Dremel tools, basswood, wood suppliers, questions on barens ... ink layers ... brush softening ...
- #461
- Ball-bearing baren, brush softening, Canadian artists, new member, ink buildup solutions, interesting websites ...
- #462
- Constantine's ...
- #463
- Brush preparation, questions on pigments and colour separations, discussion on pigments and light-fastness ...
- #464
- More on brush preparation, B&W vs colour, discussion on pigments and light-fastness continues, board feet calculation, ball-bearing baren, ...
- #465
- Still more on pigments and light-fastness, brush preparation ...
- #466
- Lots more on brush preparation and sharkskins, bit more on pigments, ...
- #467
- Brush preparation and sharkskins continues, web site recommendations, mezzotint rocker, Graham's exhibition plans ...
- #468
- Using a scraper blade? ...
- #469
- Using a scraper blade, the exchange nears completion, web site update ...
- #470
- Plane vs scraper, Graham's workshop ...
- #471
- No woodblock content ...
- #472
- Still more about plane vs scraper, site updates, exchange planning, ftp info ...
- #473
- Dieu Donne workshops, exchange feedback ...
- #474
- Exchange feedback, message from Kampala ...
- #475
- Exchange feedback, washi website, new member ...
- #476
- Exchange feedback, using an etching press for woodblocks, slide show Applet, Hideshi's paper supplier ...
- #477
- Using an etching press, Dave's paper ...
- #478
- Mounting prints on silk, Noboru Sawai?, gampi paper, more etching press details ...
- #479
- More on gampi papers, Noboru Sawai, ...
- #480
- Paper supplier, etching press stuff, new member, exchange feedback ...
- #481
- Linseed oil, exchange feedback ...
- #482
- More exchange feedback, etching press use, the One-Point Lessons return ...
- #483
- One-Point Lesson feedback, a new printmakers list, block shrinkage ...
- #484
- Patrick Press, exchange folio goes on line, Fleisher Art Memorial ...
- #485
- Etching press micro gauges, press blankets, bit more about Fleisher, exchange folio feedback ...
- #486
- More folio feedback, plate oil?, Encyclopedia update, Bill's 'Living Print' ...
- #487
- Responses on plate oil, Bill's 'Living Print' ...
- #488
- Still more on inks and oils, announcing the next exchange ...
- #489
- Intaglio relief printing ...
- #490
- Viscosity printing, What's [Baren] for? ...
- #491
- Discussion of 'What's [Baren] for'? ...
- #492
- The discussion continues ...
- #493
- and continues ...
- #494
- and continues..., Discussion of exchange prints, website update, video available ...
- #495
- Discussion of exchange prints continues, student grade barens? ...
- #496
- More about student grade barens, dangerous pigments?, pigment and paste preparation, Japanese prints in Hawaii ...
- #497
- Daniel Smith changes, transparency, One-Point lesson - Moistening the printing brush ...
- #498
- Brush moistening, baren recommendations, two new members, Maria's prints, transparent inks, next exchange sign-up ...
- #499
- Michael's 'carving', dry/wet brushes, student barens, dry pigments ...
- #500
- Transparent acrylics, brush miscellaneous, NM print exhibition ...
- #501
- Prints on ebay?, another carver passes away ...
- #502
- Michael's print process, removing spots ...
- #503
- 20th Century American Woodblock Prints Exhibition, Meiji-era carvers, Society of Wood Engravers - new book ...
- #504
- Hideshi's exhibition, 'rice paper', Southern Graphics Council, relief printing on plastic, One-Point Lesson - Block 'plugging', Brad's new printmakers list ...
- #505
- Southern Graphics Council, paste, Daniel's Exhibition ...
- #506
- Rice/wheat paste, Shireen's books, Maria's web site ...
- #507
- Bit more about paste ... binders, gallery recommendation ...
- #508
- Paste ... binders ... glues ...
- #509
- Maria's prints, pastes/binders/glues, pigment in alcohol, ...
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