Message 1
From: slinders # comcast.net
Date: Tue, 14 Jul 2009 16:04:09 GMT
Subject: [Baren 39337] Etching Press available-Chicago area
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Message 2
From: Julio.Rodriguez # walgreens.com
Date: Tue, 14 Jul 2009 17:45:34 GMT
Subject: [Baren 39338] Re: Photos from Tom Killion's workshop
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Message 3
From: Kristine Alder
Date: Tue, 14 Jul 2009 21:06:25 GMT
Subject: [Baren 39339] Exchange 42 sign-ups
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Message 4
From: Julio.Rodriguez # walgreens.com
Date: Tue, 14 Jul 2009 22:45:59 GMT
Subject: [Baren 39340] Re: forum postings and other things.......
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Digest Appendix
Postings made on [Baren] members' blogs
over the past 24 hours ...
Subject: Tom Killion Workshop
Posted by: Julio
As I mentioned last week I had an opportunity to visit with Tom at a woodblock printmaking workshop offered by Columbia College in downtown Chicago. Tom was gracious enough to invite me to attend the workshop and although scheduling conflicts would not permit me to attend the two day class I was able to drop in for a few hours on Sunday morning talk with Tom and take some photos. The workshop was preceeded by a Friday night lecture/slide presentation at which Tom talked in depth about his printmaking technique and his passion for the Califormia landscape.
You can read more about Tom's technique (mix of western/oil/reduction and Japanese traditional moku-hanga) and see his extraordinary prints at his website. Tom Killion's website is at: http://tomkillion.com/ (Click on any photo to bring up a larger image) Friday night presentation...woodblock print step-by-step from
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This item is taken from the blog BarenForum Group Weblog.
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Subject: Dorothy May Gets a Makeover
Posted by: Annie B
The Dorothy Bradford print has been bothering me ever since I finished it. It was an odd experience -- I was emotionally satisfied with it but aesthetically unsatisfied. When Beth at Cullom Gallery received the prints, she tactfully wondered aloud if maybe I could go a little farther with it, and I knew she was right. I waited a couple of days to let it all percolate and then decided to go back into the edition and make some adjustments. Here's what happened: The shot on the left is the original "final" version. The first thing I did was darken her hair considerably. Then I added some green to the water around the figure. I also darkened the folds in her clothing along her back and on her breast and arms. Those four new impressions are reflected in the photo on the right. In the initial version, there had been no block for her dress, just the white of the paper, so I cut a new block in the shape of her dress. I then printed the dress shape in a bright white. You can see in the comparison photos above that the white layer gives her dress a milky diaphanous quality and smooths out the goma zuri (speckles) from the previous printing. Now I was getting close! [Long item has been trimmed at this point. The full blog entry can be viewed here] |
This item is taken from the blog Woodblock Dreams.
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