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Volume #3 (Apr. '98 ~ Jun. '98)
- #112
- Dave's print cases, James describes his techniques, leather strop? ...
- #113
- Ray's monotype workshop experiences, kento jig, leather strop, needle carving, kitakata paper, Ray's exhibition idea ...
- #114
- Discussion of Ray's exhibition idea ...
- #115
- Paper supply discussion ...
- #116
- Paper supply, Encyclopedia update, paper moistening problem, a new mold killer? ...
- #117
- Papers and prices, Formalin, more on Ray's exhibition idea, ...
- #118
- Gayle's prints, formalin alternatives, more on Ray's exhibition idea, ...
- #119
- Encyclopedia update notice ...
- #120
- More exhibition discussion, Encyclopedia 'Library' update notice ...
- #121
- More exhibition discussion ...
- #122
- More exhibition discussion ...
- #123
- new member, more exhibition discussion ...
- #124
- Oil on poplar, razor cutting, proofing papers, a 'rest' for the exhibition discussion ...
- #125
- Using powdered charcoal on oily blocks ...
- #126
- April's exhibition announcement, Phil's Encyclopedia entries ...
- #127
- Who is Keiji Shinohara, what wood is good for classes, Encyclopedia future ideas ...
- #128
- Shina plywood, patron saints of printmaking, Penland Centre, printers in LA?, what is basswood?, directory of printmakers ...
- #129
- How to use brushes?, miscellaneous chat ...
- #130
- New member, searching for video ...
- #131
- Poplar/basswood, 'One-point' lesson - removing wood grain ...
- #132
- More about basswood - and other woods, Matt's workshops, the International Print Center ...
- #133
- Inking with brushes ...
- #134
- Encouragement from Ray ...
- #135
- James' exhibition announcement, a 'new' printmaker on the web ...
- #136
- Moving day! - the new domain at 'woodblock.com' ...
- #137
- The first [Baren] 'get-together'?, new member, One-point lesson - making sumi ink, why does David do this ...
- #138
- Philadelphia exhibitions, where to get sumi ink ...
- #139
- What is a 'taliocrome' ...
- #140
- Julio's custom wood stain ...
- #141
- Wood company web site ...
- #142
- My God, look at those eyelashes! ...
- #143
- A new book added to the Encyclopedia, end-pieces to stop block warping, One-point lesson - how deep to carve? ...
- #144
- 'Hashibame' block supports, Ray's first prints, printing on silk? ...
- #145
- More about 'hashibame', Gayle's adventures ...
- #146
- A planned web site on traditional carving ...
- #147
- Kuniyoshi exhibition ...
- #148
- Most popular Encyclopedia pages ...
- #149
- Copyright questions ...
- #150
- One-point lesson - making paste, What is an 'edition'? ...
- #151
- What is an 'edition' responses, sidewalk print sales ...
- #152
- Ray's experiences with Shina plywood ...
- #153
- Ink clean-up?, sidewalk print sales ...
- #154
- A polemic against Giclee 'prints', cheap brushes, is woodblock printmaking expensive? ...
- #155
- Sidewalk sales, using shoebrushes, more about 'expensive?', 'kozo' supply problems, website sales effective? ...
- #156
- Website sales, Graham's pigments, ink clean-up, good tools/cheap tools, sidewalk sales, an offer from Horimoto-san ...
- #157
- Graham's pigments and using shina plywood, the 'magic brush', using newsprint or newspaper?, One-point lesson - brush hair length, ...
- #158
- Varnishing carved blocks ...
- #159
- Varnishing clarifications, James' web site ...
- #160
- More about varnishing ...
- #161
- More about varnishing, One-point lesson - alcohol in pigments ...
- #162
- More about varnishing, April's pigments, how to print gold?, Graham's web site update ...
- #163
- Printing gold ...
- #164
- Printing gold, TV show recommendation ...
- #165
- Ray's collection (?) ...
- #166
- New member ...
- #167
- Woodblock transfers to litho? ...
- #168
- litho/woodblock discussion, visit to April's show ...
- #169
- Wet/dry pigments, block varnishing, new McClains catalogue, organic/inorganic colours, Victoria and Albert Print Room, gum arabic, pigment fading, printing gold, website updates ...
- #170
- One-point lesson - recessed registration marks, organic pigments ...
- #171
- Victoria and Albert Far East collection, woodblock.com stats ...
- #172
- Graham's site update, sanding 'bevels' ...
- #173
- New member, sanding sharp edges, book recommendations, web
site recommendation, using walnut?...
- #174
- Using walnut, water-dispersion pigments, follow-ups to yesterday's recommendations, Danny Pierce's books, announcing archive 'downloads' ...
- #175
- One-point lesson - re-inking blocks, block varnishing ...
- #176
- Danny Pierce's book ...
- #177
- Still more about varnishing, Danny Pierce's books ...
- #178
- contacting Danny Pierce, countries with a woodblock printmaking tradition? ...
- #179
- info on Danny Pierce, woodblock printmaking traditions ...
- #180
- Woodcuts in books, asking Graham, ...
- #181
- Jim Mundie's new Encyclopedia pages - 'Creating texture' ...
- #182
- One-point lesson - baren 'shims', pigment prices? ...
- #183
- Boston Museum of Fine Arts print show ...
- #184
- Spot removal?, Graham's pigments, questions for Jim Mundie ...
- #185
- Jim answers, printing on the back of the paper, carving poplar, using 'tube' pigments, occidental papers ...
- #186
- Occidental papers, spot removal, woodblock.com stats, brushing techniques ...
- #187
- Note from Danny Pierce, link to mold info, Matt's pigments ...
- #188
- Graham's pigments, some Mexican woodcuts, pigments 'clumping' with gum arabic, One-point lesson - sharpening narrow chisels ...
- #189
- Mexican woodcuts ...
- #190
- Pigments and alcohol, questions about James' prints, book review from Ray, bit more about the Mexican prints ...
- #191
- Pigments and gum arabic reactions, James' answers, bamboo sheath collection, ...
- #192
- Relief/Intaglio differences, bit more about varnishing, using watercolour on 'oily' blocks, 'Georgia' baren, bit more about spot removal, two 'new' printmakers ...
- #193
- Relief/Intaglio differences, book reviews wanted, about 'tulip poplar', breaking up books ...
- #194
- Query about 'needle' techniques, one block - relief and intaglio printing, the Mexican print at last, Los Angeles Biennial announcement, 'tulip poplar', another new printmaker, more about breaking up books, 'not-so-limited' limited editions ...
- #195
- Jim's needling and block cleaning techniques, Julio's thoughts on woodblocks, more about 'not-so-limited' limited editions, One-point lesson - reinforcing the paper ...
- #196
- Response to Jim's techniques ...
- #197
- Bleaching with light, Graham's giant vase, David dreams (?) about a woodblock ...
- #198
- New member and her web site ...
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