Message 1
From: Maria Diener
Date: Thu, 30 Aug 2012 22:38:11 GMT
Subject: [Baren 45946] Daily reminder!
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Digest Appendix
Postings made on [Baren] members' blogs
over the past 24 hours ...
Subject: Playing with colors on the drunken bee print
Posted by: Maria
After the key block is pasted and the design cut (which it isn't!), I transfer the cut design with registration marks included to the color blocks. Again, I don't always work this way and often times prefer to work with a registration jig. Search for registration jig on this blog or my website to see how to make one. http://1000woodcuts.blogspot.com/2010/04/registration-simplified.html or check my website's Studio Notes section for two notes on registration at the bottom of the page: http://1000woodcuts.com/studio/method.html But the traditional Japanese method "calls" for carving the registration kento right on the block. My preference is to carve the marks first and then transfer key block, kento and all, to the color blocks. I will post later on how to carve a perfect kento every time! Back to the color decisions, I tend to print too "primary" most of the time and envy off-color combinations of other artists. To a point, moku-hanga takes care of the too-primary issue due to the delicacy of the resulting color applications. But it doesn't hurt to "play" first, again in Photoshop, and see the mood change as I darken, lighten, raise or lower color channels, desaturate... One filter that I have found invaluable in converting a retouched photograph into something "woodcut-able" is the Artistic>Poster Edges filter. Play with it! In that composite of four versions, from RIGHT to left: -After . . . [Long item has been trimmed at this point. The full blog entry can be viewed here] |
This item is taken from the blog 1000 Woodcuts Updates.
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Subject: Ukiyoe Heroes : Stunned silence ...
Posted by: Dave Bull
The campaign has reached quite an astonishing level of support: |
This item is taken from the blog Mokuhankan Conversations.
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Subject: MIRABILIS
This item is taken from the blog Against the grain.
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