Today's postings

  1. [Baren 43563] RE: New Baren Digest leather sharpenning tool (Guadalupe Victorica)
  2. [Baren 43564] Dedicate to Claudia (Eileen Corder)
  3. [Baren 43565] Re: Dedicate to Claudia (Diane Cutter)
  4. [Baren 43566] leather strap (Ruth Egnater)
  5. [Baren 43567] Re: leather strap (Amanda Miller)
  6. [Baren 43568] Re: leather strap ( slinders # comcast.net)
  7. [Baren 43569] RE: leather strap ("Maria Arango Diener")
  8. [Baren 43570] Re: New Baren Digest leather sharpenning tool (Graham Scholes)
  9. [Baren 43571] EX48 Mythology update.... ( slinders # comcast.net)
  10. [Baren 43572] Re: Worksharp (Sharri LaPierre)
  11. [Baren 43573] RE: ACEO size ("Phare-Camp")
  12. [Baren 43574] Re: EX48 Mythology update.... (Oldfield Press)
  13. [Baren 43575] Leather strop for sharpening tools (Margot Rocklen)
  14. [Baren 43576] Baren Member blogs: Update Notification (Blog Manager)
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Message 1
From: Guadalupe Victorica
Date: Wed, 15 Jun 2011 13:56:42 GMT
Subject: [Baren 43563] RE: New Baren Digest leather sharpenning tool
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Thank you Graham I would like to know how to make one of those sharpening belts.
Could you also give me your web site?

Dave and Mark I really liked your prints.

I have been using sand paper but my tools are not that sharp.
I t was a long time since I did a Wood print. I did it in plywood. I liked it, it is only black and white. I hope you like it. They are drying and I will send them this week.
Saludos, Guadalupe
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Message 2
From: Eileen Corder
Date: Wed, 15 Jun 2011 14:32:07 GMT
Subject: [Baren 43564] Dedicate to Claudia
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I motion that we dedicate the tiny print exchange to Claudia.

Namaste,
Eileen
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Message 3
From: Diane Cutter
Date: Wed, 15 Jun 2011 14:46:21 GMT
Subject: [Baren 43565] Re: Dedicate to Claudia
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I think that sounds wonderful. She was a stalwart member here and she is much
missed.

Regarding sizes, I leave that up to the majority. The only think I think
necessary is standard paper size, whatever that is decided.


Diane

www.DianeCutter.com
www.theitinerantartist.blogspot.com
www.DCutter.etsy.com
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Message 4
From: Ruth Egnater
Date: Wed, 15 Jun 2011 15:11:33 GMT
Subject: [Baren 43566] leather strap
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The sharpening tool I spoke of was not a strap but a block with many angles on it to many size and shapes of tools could fit around and in the grooves. I will find out its exact name and then post it.
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Message 5
From: Amanda Miller
Date: Wed, 15 Jun 2011 15:22:52 GMT
Subject: [Baren 43567] Re: leather strap
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Flexcut makes something called a SlipStrop. It is made of wood and has
grooves for sharpening tools. There is also a bit of leather on one end and
a polishing compound. I have one and like it. I think it works best when
used regularly, to maintain a sharp edge, rather than trying to bring it
back from dull.

--
Amanda Gordon Miller
www.AmandaGordonMiller.com
EdamamePress.etsy.com
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Message 6
From: slinders # comcast.net
Date: Wed, 15 Jun 2011 16:28:32 GMT
Subject: [Baren 43568] Re: leather strap
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Hi, Ruth,

Do you use the Dockyard micro-tools? I love them! Here's a
source for buying them and the wooden slip strop sharpening
guide to use with them. I like this resource because you can
order tools individually... The sets often have one or two
'good' tools, and the rest are unused.

http://www.chippingaway.com/woodcarving/MicroCarvingHandTools/MicroHandCarvingTools.htm


These tools are so delicate that I wouldn't sharpen them on a wheel!

Best wishes,
Sharen
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Message 7
From: "Maria Arango Diener"
Date: Wed, 15 Jun 2011 16:28:47 GMT
Subject: [Baren 43569] RE: leather strap
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Various places make these with all kinds of materials. The last one that I
have seen advertised is a diamond stone shaped to sharpen inside and outside
of both V and U gouges.
My favorite of these is a waterstone which I keep in its own "aquarium"
(Tupperware tub). It is shaped to sharpen all but the tiniest, both V and U
inside and out. Great tool!

But the Work Sharp takes the cake IMO.

Maria

[=o=][=o=][=o=][=o=]
www.1000woodcuts.com
www.artfestivalguide.info
[=o=][=o=][=o=][=o=]
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Message 8
From: Graham Scholes
Date: Wed, 15 Jun 2011 16:35:46 GMT
Subject: [Baren 43570] Re: New Baren Digest leather sharpenning tool
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Here is the site to have a look at a Strop Block that I use to hone my tools.
Woodblock Printmaking DVD Video Instructions
Look part way down the right side for the link to "Leather Strop Block"

If you have any questions please let me know.

Graham
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Message 9
From: slinders # comcast.net
Date: Wed, 15 Jun 2011 16:45:39 GMT
Subject: [Baren 43571] EX48 Mythology update....
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Dear Mythology Storytellers,

A couple of our members have had serious family problems that
delayed printing. Most everyone is 'in' now, but if you haven't
gotten your prints in yet, get them here by June 26 or we'll
need to go ahead without you. I'll be working on the exchange
that week.

I've promised my coming week elsewhere so I can't work on the
exchange until then, so consider this a 'last call'. I'll let
you know when the prints are mailed back. I'm aiming for July 1
or sooner.

Best wishes,
Sharen
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Message 10
From: Sharri LaPierre
Date: Wed, 15 Jun 2011 16:48:58 GMT
Subject: [Baren 43572] Re: Worksharp
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I second what Carole has said about the Worksharp, although I think
mine is a different brand. All that I have ever used is the leather
wheel, too. It is a godsend and I would highly recommend it to
everyone. It is an investment, but it is worth it!

Cheers,
Sharri
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Message 11
From: "Phare-Camp"
Date: Wed, 15 Jun 2011 17:36:04 GMT
Subject: [Baren 43573] RE: ACEO size
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Hey Bareners: I just want to specify the correct paper size for artist's
trading cards "ACEO"s (Artists Cards Art Cards, Editions and Originals).
The fractions didn't translate between here and there...The size standard
for ACEOs is 2.5 x 3.5. Art supply stores sell packets of quality paper
pre-sized (although you can do like I do and use trim scraps). I also like
that I can purchase acetate sleeves and paper envelopes sized specifically
for ACEOs and that collectors can purchase binders with archival sleeve
inserts that are designed to hold several ACEOs (similar to photo albums).
Keep in mind that this size of original artwork is highly collectable; so
much so that regular ACEO baren exchanges are not a bad idea! Oh and BTW,
I'm be willing to volunteer as coordinator for this exchange...'bout time I
did my share... Cheers, Patti
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Message 12
From: Oldfield Press
Date: Wed, 15 Jun 2011 17:41:42 GMT
Subject: [Baren 43574] Re: EX48 Mythology update....
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Thankyou Sharen,

Tone
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Message 13
From: Margot Rocklen
Date: Wed, 15 Jun 2011 18:04:04 GMT
Subject: [Baren 43575] Leather strop for sharpening tools
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About the leather strop for sharpening tools, and the lubricating substance that
is used along with it...Graham, I would greatly appreciate your posting that
information. Heard your name mentioned several times at the Mokuhanga Conference
in Japan, which was a wonderful, enlightening experience.

Margot K. Rocklen

Digest Appendix

Postings made on [Baren] members' blogs
over the past 24 hours ...

Subject: Mokuhanga Conference Part 1
Posted by: Annie B

I love Japan. The 10 days I just spent there was my third time in the country, but before this trip to attend the First International Mokuhanga Conference it had been six years since I last visited. I've also never been to the Kansai area before, so there was a lot of newness for me this trip. I did all my free-time traveling in the four days before the conference, and I began my travels in Urawa, which is north of Tokyo, at my friend Mariko's house. I stayed in Urawa just long enough to have a lovely dinner with Mariko's family and to be awakened by an aftershock during the night. The next morning Mariko and I hopped the shinkansen (bullet train) and made our way south and west to Kyoto.

Mariko
Mariko getting directions for us

In Kyoto we met up with Baren Forum member and printmaker Linda Beeman for an afternoon tour of temples and shrines in the district of Kyoto called Gion. Meeting Linda was just the first encounter of many that I had with printmaker friends who I have only known online. I'm happy to report that everyone I met, including Linda, was even nicer in 3-D than I had imagined them to be in cyberspace.

LindaBeeman
Linda Beeman in front of a big concrete Kannon (Kuan-Yin) statue in Gion

I was amazed and impressed when Linda told me that not only was this her first time in Japan, but it was her first time overseas at all! Such courage. She was staying at a really nice traditional ryokan (inn) in Gion.

Here are a few more photographs from my sightseeing before the conference.


[Long item has been trimmed at this point. The full blog entry can be viewed here]

This item is taken from the blog woodblock dreams.
'Reply' to Baren about this item.


Subject: Leftovers II - Up on Wingtip Press
Posted by: Ellen Shipley

I participated in the Leftovers II mini print exchange at Wingtip Press and Amy's been uploading all the prints on her blog.  My print is in this batch:

http://leftoversanyone.blogspot.com/2011/06/how-many-more-courses.html

It was an exchange for using up leftover pieces of print paper.  When ever you cut down paper for a set of prints, there are always odd bits of paper left over.  This was a clever way to use them up.  I had a lot of fun with mine.

Check out all the mini prints in the collection -- all 120 of them here:
http://leftoversanyone.blogspot.com/  Amy's putting a handful up each day.

This item is taken from the blog Pressing-Issues.
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Subject: Peru Day Fifteen -- Catching Insects
Posted by: Steveke


Several days ago I came across two primate specialists in the forest. One was wearing a loudspeaker on her head that was emitting monkey calls [calls of the saddle-backed tamarin, I believe]. This got me to thinking about the ways we stretch to get our data, to study animal and plant behavior, to collect specimens, and to document the comings and goings of species. It's hard work that demands a staggering array of equipment from a butterfly net to a portable mass spectrometer. It also requires smart, fit, capable, adaptable people with highly specialized training and lots of imagination. Everyone who contributes to the community at CICRA shares these characteristics -- the permanent staff, the visiting researchers and the students. The sense that just being here is fragile and very special engenders a work ethic in which nothing is wasted; not time, not materials, and not effort. Need ethanol to store you specimens in? It will come over the Andes by truck, then by small boat up the Rio Madre de Dios to be carried by hand up the near vertical ascent from the riverbank to CICRA.
So, back to the loudspeaker-on-the-head thought -- what do the specialists working with our K.U. entomology team use to trap and study insects? I've been keeping track:
Malaise Trap
This is a mesh trap that insects fly into. Once they have hit the mesh they tend to cling onto it and start to climb -- ultimately into a trap. The traps are often jars or pans of water with a little detergent in them to break the surface tension. There are two variations on this theme:

The Terrestrial Malaise trap sits on the ground.













The Canopy Malaise Trap is like a rigid tent that gets raised 20-30 meters up into the forest canopy, it also has a trap to collect insects that that don't grab the mesh but fall after hitting it.












Flight intercept trap
This is similar to a terrestrial malaise trap but it has only a vertical mesh, stretched taught, with pans underneath it to catch flying insects that crash into the mesh and tumble into the pans.

[Long item has been trimmed at this point. The full blog entry can be viewed here]

This item is taken from the blog VELOPRINT : A Journal of Printmaking and Bicycling.
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Subject: Home Festival this weekend


This item is taken from the blog Against the grain.
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Subject: ?Great show? but have you seen my jumper?


This item is taken from the blog Against the grain.
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