Message 1
From: Carole Dwinell
Date: Tue, 29 Mar 2011 02:14:42 GMT
Subject: [Baren 43023] Re: New Baren Digest (HTML) V54 #5568 (Mar 28, 2011) -- New Member Question Re Lino
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Message 2
From: John and Michelle Morrell
Date: Tue, 29 Mar 2011 02:42:36 GMT
Subject: [Baren 43024] Re: Our benefit guidelines and Art in Japan
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Message 3
From: Barbara Mason
Date: Tue, 29 Mar 2011 03:52:29 GMT
Subject: [Baren 43025] Re: New Baren Digest (HTML) V54 #5568 (Mar 28, 2011) -- New Member Question Re Lino
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Message 4
From: Barbara Mason
Date: Tue, 29 Mar 2011 04:01:54 GMT
Subject: [Baren 43026] Paper discount of 50%
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Message 5
From: andrea # starkeyart.com
Date: Tue, 29 Mar 2011 04:34:53 GMT
Subject: [Baren 43027] RE: Paper discount of 50%
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Message 6
From: Ayesha Vemuri
Date: Tue, 29 Mar 2011 05:13:30 GMT
Subject: [Baren 43028] Re: reply from the Japanese Gardens
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Message 7
From: Le Green
Date: Tue, 29 Mar 2011 05:18:38 GMT
Subject: [Baren 43029] Prints for Japan Exchange
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Message 8
From: Julio.Rodriguez # walgreens.com
Date: Tue, 29 Mar 2011 05:22:24 GMT
Subject: [Baren 43030] Re: New Baren Digest (HTML) V54 #5568 (Mar 28, 2011) -- Japan Relief Project
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Digest Appendix
Postings made on [Baren] members' blogs
over the past 24 hours ...
Subject: Senshafuda Project - production update
Posted by: Dave Bull
A quick progress update: carver Sato-san dropped over here a few days ago (riding his scooter all the way out from town!), and we got him all set up. He and I went over the image, deciding how to approach the carving, and he went back home with some blank blocks in his carry-bags, along with the hanshita printout. I talked to him on the phone last night, and he has already completed one of the prints, and is cutting away steadily on the next. He's a bit concerned about whether his work will be up to my 'standards', but I'm sure the job will be OK (if only because he is being closely supervised by the experienced carver Asaka-san). I've arranged with the two of them to give me a call on a convenient day later this week, and I'll be going over there to shoot some photos and video of him working on this project. I'll be doing the same with Tetsui-san the printer too, as I think this sort of documentation will be of great interest to onlookers (and potential collectors, of course!). More later ... for now, I can leave a quick link to the Mokuhankan catalogue page where this print set will be available for ordering later. (Plan is to open up for orders once we get the first proof copies off the blocks for scanning). |
This item is taken from the blog Mokuhankan Conversations.
'Reply' to Baren about this item.
Subject: Relief printmakers like to collaborate
Posted by: Elizabeth Busey
One of my favorite things about printmaking is that printmakers like to share. Printmaking allows people to collaborate in ways that other media do not. My first experience with collaborative printmaking involved friends celebrating my 40th birthday and a new press. I printed all of the blocks in one print, and each family received one.
I found that people who might not consider themselves artistic were willing to participate when their work was presented as part of a whole print. So I decided to try it again with members of my church. The intent of the project was to create banners to hang in our sanctuary during the Lenten season. People were asked to meditate on the ideas of hunger and abundance, and to choose either a square or rectangular block for their image. At two workshops, we talked about using tools and creating textures as people carved their images. We printed the blocks by hand on Japanese Hosho paper so people could take their image home. I took all of the blocks to my studio to create the banners. We had 27 blocks to use, so I create two templates for the two halves of the paper. Since the squares and rectangles were a standard size, the blocks could be interchanged, and I created three different banner layouts.
This item is taken from the blog The World in Relief. |