Message 1
From: ArtfulCarol # aol.com
Date: Wed, 23 Mar 2011 14:31:16 GMT
Subject: [Baren 42939] Re: New Baren Digest (Text) V54 #5560 (Mar 23, 2011)
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Message 2
From: Eileen Corder
Date: Thu, 24 Mar 2011 02:55:09 GMT
Subject: [Baren 42940] Some thoughts
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Message 3
From: Le Green
Date: Thu, 24 Mar 2011 03:29:44 GMT
Subject: [Baren 42941] San Antonio Baren Summit will include McClain's day,
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Digest Appendix
Postings made on [Baren] members' blogs
over the past 24 hours ...
Subject: Back to the Rivers
Posted by: Annie B
After about a month of work, I've finished the large commercial projects I had on my desk and have spent the past couple of days getting back into the new print I had started in February. First I printed the "rivers" block in a light blue. Remember the knots that were in the board? Happily, I didn't have any problems printing because of them. But it turns out that McClain's found so many knots in their last batch of shina that they've run out of large boards and won't have a new shipment until next month. So I guess my decision to make this print using just one board was the only choice I really had! Next, since I'm using just one block, I needed to get rid of the rivers so I carved them away. Then I printed a yellowish brown tone on the background. [Long item has been trimmed at this point. The full blog entry can be viewed here] |
This item is taken from the blog woodblock dreams.
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Subject: Senshafuda Project - Spring 2011 design ready
Posted by: Dave Bull
So, after all the delays due to one of the largest natural disasters in history - which kind of keeps things in perspective - the 'final' versions of the images arrived from designer Kaori Seki last night (at around 2 in the morning!), and I'm now able to put everything together. Here's how the layout is going to work - three prints side by side, together with a fourth which will serve as the 'label' for the front of the package: That image represents the piece of wood, and the outer dotted line will be the sheet of paper, nestled into the registration marks. Inner dotted lines show where the four prints will be trimmed apart after printing is complete. So let's put the image parts in place (clickable): To save you having to twist your neck, here's an upright version: In a previous post, you saw how the SkyTree design evolved. We're sticking pretty close to what came out of those discussions, although that isn't perhaps apparent here, as many of the important lines of the design (notably the skeleton structure of the tower) will be on another block. But you get the idea ... As for the other two, we have a simple image (borrowing heavily from the style of the old senshafuda) of a Mejiro (Japanese White-Eye) in a cherry tree, and a design playing with themes from the Girl's Day holiday: a decorative lantern, a doll on a stand, and another cherry tree. (Can't . . . |
This item is taken from the blog Mokuhankan Conversations.
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