Message 1
From: Cucamongie # aol.com
Date: Sun, 13 Jun 2010 13:40:37 GMT
Subject: [Baren 41469] caran d'ache
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Message 2
From: Cucamongie # aol.com
Date: Sun, 13 Jun 2010 13:53:39 GMT
Subject: [Baren 41470] caran d'ache
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Message 3
From: Marilynn Smith
Date: Sun, 13 Jun 2010 16:18:06 GMT
Subject: [Baren 41471] Re: New Baren Digest (HTML) V51 #5277 (Jun 13, 2010)
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Message 4
From: Le Green
Date: Sun, 13 Jun 2010 19:36:21 GMT
Subject: [Baren 41472] RE: New Baren Digest (Text) V51 #5277 (Jun 13, 2010)
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Message 5
From: Viza Arlington
Date: Sun, 13 Jun 2010 20:25:55 GMT
Subject: [Baren 41473] Re: New Baren Digest (Text) V51 #5277 (Jun 13, 2010)
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Digest Appendix
Postings made on [Baren] members' blogs
over the past 24 hours ...
Subject: The Smell of Sumi Ink
Posted by: Annie B
This weekend I finished the wedding woodblock prints for my nephew's wedding. I bought some square glassine envelopes at PaperPresentation.com and I love the way the little prints look in the envelopes. There will be one at each place setting. I printed these with sumi ink and by the time I finished all 125 prints the odor of the ink had permeated my studio. Sumi has a very distinctive smell, a little like moth balls and a little like patchouli. The students at the last class I taught asked me about the odor, so I finally looked it up. It seems that in addition to soot and animal glue, camphor and/or musk oil are also often added to liquid sumi ink. One web site I consulted suggested that this is done to aid in achieving the meditative state required for good calligraphy or sumi-e painting. Next on my studio task list: re-do the John Alexander & Thomas Roberts print. |
This item is taken from the blog Woodblock Dreams.
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