Message 1
From: Sharri LaPierre
Date: Thu, 13 May 2010 17:51:10 GMT
Subject: [Baren 41233] Re: woodblock Scam
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Message 2
From: Julio.Rodriguez # walgreens.com
Date: Thu, 13 May 2010 18:54:37 GMT
Subject: [Baren 41234] Exchange #44 - Stephanie Westfall please respond
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Message 3
From: Julio.Rodriguez # walgreens.com
Date: Fri, 14 May 2010 03:40:27 GMT
Subject: [Baren 41235] Re: looking to contact Stephanie Westfall ?????
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Digest Appendix
Postings made on [Baren] members' blogs
over the past 24 hours ...
Subject: Adjusting that floating kento, now that you ask!
Posted by: Maria
Ah yes, a few of you asked how to adjust the floating kento. With a "real" kento, little pieces of wood are inserted into the kento to adjust "out" and the kento is carved to adjust "in". How to tell whether your kento needs to go "out" or "in" is something you have to figure out on your own. I think hard which way I need to adjust and when I finally decide, I do the exact opposite and I'm right about exactly half the time. I figure that's why God invented proof paper. But seriuosly, I have a much easier time adjusting the color image with respect to the key image since I started using this movable kento. To adjust "out", that is, to move the block "pa ya" or "over there" or away from the kento, I simply insert little pieces of painter's tape into the kento. The tape is removable with no residue and can be added one layer (mil) at a time until the registration is as good as it's going to get--er, perfect, that is. Them's the little pieces of tape, about the thickness of the kento-board; I stack them as thick as the registration is off...which it never is, of course, hardly...ever... Next picture shows the little darlings stuck in place at the crucial corner and lower edge of the kento-board. This pushes the block and therefore the image AWAY from the kento. And the block flush against the adjusting tape. here]
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This item is taken from the blog 1000 Woodcuts Updates.
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