Message 1
From: Mark Phillips
Date: Fri, 09 Apr 2010 00:02:27 GMT
Subject: [Baren 40986] Re: Silent Members
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Message 2
From: Elizabeth Atwood
Date: Fri, 09 Apr 2010 03:11:42 GMT
Subject: [Baren 40987] Re: Silent Members
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Message 3
From: Elizabeth Atwood
Date: Fri, 09 Apr 2010 03:16:38 GMT
Subject: [Baren 40988] Re: Silent Members
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Message 4
From: David Bull
Date: Fri, 09 Apr 2010 03:21:08 GMT
Subject: [Baren 40989] Re: Silent Members
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Message 5
From: Barbara Mason
Date: Fri, 09 Apr 2010 04:30:35 GMT
Subject: [Baren 40990] Absent Baren members and the darn white line stuff
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Message 6
From: April Vollmer
Date: Fri, 09 Apr 2010 12:00:37 GMT
Subject: [Baren 40991] SGC/Philagrafika
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Digest Appendix
Postings made on [Baren] members' blogs
over the past 24 hours ...
Subject: Mystique Series - printing begins ...
Posted by: Dave Bull
Mixed in with all the case adjustments, I've been proofing the blocks for the first pair of prints, and I think I'm ready to start printing. I don't remember if I wrote about the paper earlier, but for the first four prints (2 sets) I am using paper that I have in stock here. That will run out in July, so I've ordered a fat batch from Iwano-san to arrive sometime that month. The paper of course has to be cut to the proper size before printing, but that's actually not so easy. The problem comes from the wooden frame that Iwano-san uses to form the sheets. These are very expensive to have made, so he tends to use them longer than would perhaps be best. As a result, they are a bit old and rickety, and don't hold a perfectly rectangular shape. Each sheet of paper comes out a bit different from the others. This would seem to be irrelevant, as I trim the edges anyway, but because this type of paper has clearly visible internal 'lines', I have to make sure my trimming is parallel to those, or the finished prints will all seem 'crooked'. Not sure if it will really be visible in this photo, but see how the top edge of this sheet is not parallel to the lines: I have to put each sheet - one by one - against a light source, and trim one edge properly parallel: Only then can I continue with cutting them up to the proper dimension for printing (this is still larger than the finished prints; they will be cut to the final trim size after printing). The next step is to carefully inspect each sheet, looking for problems with the surface, like this: This is a little scrap of loose fibre that has to be removed before printing begins. This one came off easily, but others don't, and those sheets get rejected: Trim one corner perfectly square for the kento: Toss these? No way! Up above my library shelves is a kind of closet space: And all the washi offcuts go in here, building up over the years until there is enough to make it worthwhile recycling them. While we're up here, take a peek at the internal construction of the house, visible because the closet has no ceiling. Look at how the insulation fits so perfectly between the framing . . . |
This item is taken from the blog Woodblock RoundTable.
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Subject: Carving At Last!
Posted by: Ellen Shipley
Getting started. Carving the cloud for the most part. Taking a break. Those little suckers are monotonous. Also need to stretch. I'm wondering what will happen to the cartoon when I ink up the block. Will I have to reapply it after I've printed the first color? Guess I'll find out. ~*~ I think I'm finished carving for the first pass. |
This item is taken from the blog Pressing-Issues.
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Subject: white line experiment
Posted by: Viza Arlington
[Long item has been trimmed at this point. The full blog entry can be viewed here] |
This item is taken from the blog VIZArt.
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