Message 1
From: Marilynn Smith
Date: Thu, 01 Apr 2010 13:51:35 GMT
Subject: [Baren 40929] Re: New Baren Digest (HTML) V50 #5192 (Apr 1, 2010)
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Message 2
From: Andrew Stone
Date: Thu, 01 Apr 2010 18:23:24 GMT
Subject: [Baren 40930] Sale and show offer! T-shirts "value"
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Message 3
From: Juergen Stieler
Date: Thu, 01 Apr 2010 19:39:32 GMT
Subject: [Baren 40931] Re: Sale and show offer! T-shirts "value"
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Message 4
From: Viza Arlington
Date: Thu, 01 Apr 2010 20:22:05 GMT
Subject: [Baren 40932] Re: Sale and show offer! T-shirts "value"
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Message 5
From: Barbara Mason
Date: Thu, 01 Apr 2010 20:22:29 GMT
Subject: [Baren 40933] Re: Sale and show offer! T-shirts "value"
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Message 6
From: Diana Moll
Date: Thu, 01 Apr 2010 20:44:58 GMT
Subject: [Baren 40934] Re: Sale and show offer! T-shirts "value"
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Message 7
From: "Ellen Shipley"
Date: Thu, 01 Apr 2010 23:52:37 GMT
Subject: [Baren 40935] Re: Sale and show offer! T-shirts "value"
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Message 8
From: thadeenz97 # verizon.net
Date: Fri, 02 Apr 2010 10:38:34 GMT
Subject: [Baren 40936] Re: Sale and show offer! T-shirts "value"
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Digest Appendix
Postings made on [Baren] members' blogs
over the past 24 hours ...
Subject: SGC Philadelphia Trip - Demos
Posted by: Annie B
There were a gajillion demonstrations at SGC, but I only went to two of them. Spooning Large Format Woodcuts with Dan Miller, PAFA Printmaking Dept. There was nothing at all high tech about this one, which was what made it so great. Miller uses the same tools he used in college to carve (plus a straight-edge razor blade) and he prints with a bamboo rice paddle. Nothing fancy going on at all, so it's all about the carving, the wood, the ink and the paper. As it should be. The most technical thing he had was his handmade registration jig (photo at right), which works much like the Japanese kento system, registering both the block and two edges of the paper. I was amused that he seems to register the upper left corner of the paper, which is the exact opposite of the lower right position that I base my registration on. The print below is one of two that he worked on during the demo. Drum Leaf Binding with Joseph Lappie, St. Ambrose Univ. I've been wanting to start work on an artist's book but the whole binding thing has scared the heck out of me, with that learning curve that looks so incredibly steep. This demo was really exciting because presenter Joseph Lappie made it seem so easy that a monkey could do it. I walked away feeling like even I could bind a book -- no stitching, just a little glue and some careful measuring. Measuring I can do. And most awesome of all, every page opens to a full spread so facing pages can be printed as one sheet. This method would also hide the bleed-through verso that's characteristic of moku hanga printing. I can't wait to try it. If you google "drum leaf binding" you'll come up with a number of sites that explain it better than I can do here, including an article by book artist Tim Ely who developed the method. Basically, each two-page spread is attached to the next along the front . . . [Long item has been trimmed at this point. The full blog entry can be viewed here] |
This item is taken from the blog Woodblock Dreams.
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Subject: Murphy the Cat woodblock print
Posted by: Viza Arlington
This item is taken from the blog VIZArt.
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