Message 1
From: Marilynn Smith
Date: Tue, 22 Dec 2009 14:17:41 GMT
Subject: [Baren 40286] Ads and oops
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Message 2
From: Gayle Wohlken
Date: Tue, 22 Dec 2009 15:09:45 GMT
Subject: [Baren 40287] Missing Ads and Ops in New Digest now in Baren Archives
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Message 3
From: aqua4tis # aol.com
Date: Tue, 22 Dec 2009 16:37:52 GMT
Subject: [Baren 40288] Re: interesting printmakers
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Message 4
From: Charles Morgan
Date: Tue, 22 Dec 2009 20:03:07 GMT
Subject: [Baren 40289] SSNW09
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Message 5
From: ArtfulCarol # aol.com
Date: Tue, 22 Dec 2009 20:22:14 GMT
Subject: [Baren 40290] for Coordinator of Typography Exchange
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Message 6
From: Gayle Wohlken
Date: Wed, 23 Dec 2009 03:13:45 GMT
Subject: [Baren 40291] Coordinator of Typography Exchange
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Digest Appendix
Postings made on [Baren] members' blogs
over the past 24 hours ...
Subject: Xmas Message
Posted by: Dave Bull
Back in December of 1997, the [Baren] printmakers' group which I had founded earlier that year was coming up to its first Christmas. The group was at that time still very small, only a few dozen members, and there was quite a congenial friendly feeling to all the discussions. One evening I sat down to send out a holiday greeting to my friends in the group, and before I knew it, a visitor had dropped down the chimney. 12 years later, the message is still fun to read. Here it is, partnered with an illustration that my (then) Japanese coach - Takayoshi Sakazaki - created for it. (Or if you wish, you can listen to it, in .mp3 format.) The Night Before a Printmaker's Christmas 'Twas the night before Xmas, and all through the shop The moon in the window threw light on the scene; I stood in amazement as they all started working, |
This item is taken from the blog Woodblock RoundTable.
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Subject: If you were my 'manager' : Part Four
Posted by: Dave Bull
Continued from [If you were my manager : Part Three] | Starting point of the series is [Part One] So far in this little sequence of posts discussing some business aspects of my work, we've looked at some currency issues, and begun to think about the next project. I mentioned three factors that would be important considerations in making that decision:
But before I get too deeply into trying to work out a future project based around those things, I want to try a little 'thought experiment'. If there were no such constraints in place; if I had a completely free hand to do whatever I wanted ... what would I do? What would I make? Now that's actually not an easy question to answer. If you think about it for yourself (with respect to your own life and work), you will find that, although any of us can quickly come up with suggestions on this and that, it's by no means certain that such suggestions would actually make sense in the long term. The classic example of this is the guy who 'wins the lottery'. Sure, it's easy at first; quit your job, buy a big house, take the great vacation, etc. etc. But then what? Having unlimited resources doesn't help you, if you don't have some kind of motivation or structure to what you are doing. If all my constraints were suddenly removed, and I became free to make (say) a project that wouldn't have been feasible because the result would have been too expensive, what happens next? I make the thing, it sits there. What do I do, give it away? What would it mean to have made it? Sure, maybe it would have been a technical achievement for Dave, but without the integration with society that has been stripped away by the 'magic wand' support from 'outside' ... so what? I'm perhaps being clumsy in my attempt to express this idea. There was a Dilbert cartoon in my newspaper just the other day (very strange timing, actually) about this. "It's not really art if no one likes it." Now I don't believe that particular phrase is true, but the point Wally was making - the stuff this guy is producing must be of no value to society, as demonstrated by the fact that he can't make a . . . |
This item is taken from the blog Woodblock RoundTable.
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