Message 1
From: Julio.Rodriguez # walgreens.com
Date: Sat, 26 Sep 2009 20:30:51 GMT
Subject: [Baren 39814] Re: Exchange 43 is right around the corner!
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Message 2
From: Bobbi Chukran
Date: Sat, 26 Sep 2009 21:57:12 GMT
Subject: [Baren 39815] Re: FW: San Antonio Baren Summit Proposal / Arts and Culture 2011? and request to Baren Council.
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Message 3
From: Bobbi Chukran
Date: Sat, 26 Sep 2009 22:00:45 GMT
Subject: [Baren 39816] Re: OK, so I got the Akua inks, but....
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Message 4
From: Bobbi Chukran
Date: Sat, 26 Sep 2009 22:20:28 GMT
Subject: [Baren 39817] Anybody collect older prints?
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Digest Appendix
Postings made on [Baren] members' blogs
over the past 24 hours ...
Subject: Williams Lake Workshop
Posted by: Amie Roman
Well, ladies & gentlemen, as you can see from the delay between last post and this, I've not been particularly active art-wise. The summer months, especially end of August, are taken over with work in the garden, and, as a result, work in the kitchen to put away all those goodies for the rest of the year. You can check out what I've been up to in the garden & kitchen (and a little R&R on the side!) on my other blog, Roman Life. That said, I just came back from a trip up to my Dad's in Horsefly, and at the beginning of that trip was a fantastic weekend, hosted by the Cariboo Arts Society, where I taught an introductory relief printmaking workshop. We started the weekend with a discussion of materials and tools used. For this workshop, I had insisted that everyone use the soft carving materials, like Safety Kut or Speedy Cut, for their blocks, because I find that most people are able to carve those materials fairly easily, especially if they don't have great strength in their hands. I showed them different tools to carve with, and of course discussed safety and sharpening (not that I'm the best instructor for sharpening!). I'd asked everyone to bring some source material, and to choose something to work on that would just be black and white. I demonstrated how I transfer an image from my sketchbook or a photo by tracing onto onion skin tracing paper, then flipping that paper and rubbing the image onto the soft carving block. That automatically reverses your image so that the printed version will come out in the same orientation as your original drawing. . . . [Long item has been trimmed at this point. The full blog entry can be viewed here] |
This item is taken from the blog Burnishings.
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