Message 1
From: "Maria Arango Diener"
Date: Thu, 28 May 2009 14:51:46 GMT
Subject: [Baren 39024] Exchanges Update
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Message 2
From: "Maria Arango Diener"
Date: Thu, 28 May 2009 19:03:12 GMT
Subject: [Baren 39025] Re: Exchanges by Committee?
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Message 3
From: Le Green
Date: Fri, 29 May 2009 08:02:45 GMT
Subject: [Baren 39026] RE: New Baren Digest (Text) V47 #4837 (May 28, 2009)
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Digest Appendix
Postings made on [Baren] members' blogs
over the past 24 hours ...
Subject: Segment of a 'perfect' lino
Posted by: Georgina
This item is taken from the blog The Linocutter has a new adventure.
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Subject: Printing the perfect lino
Posted by: Georgina
Yesterday I went to a place called "Under the House of Art" David and Jacek who run this business are artist printmakers. They print editions for some very well known Australian artists such as Dennis Nona (who studied at the Queensland College of Arts) They also have the largest press in the Southern Hemisphere. I told them that I usually have trouble getting consistent results when using the etching press ( I often get little 'judders' as the ink smudges slightly at the edge of the lino or the blacks are to 'salty'' ) I have tried many ways to sort out these problems but I could never just run off print after perfect print. So I used to use the hydraulic press. David and Jacek very generously showed me a very simple way to get a perfect linocut print. They roll back the blanket, tape the paper to the bed of the press, flip the paper back over the blanket then place the block on the press and gently 'feed' the pape rover the block until it flops into place. Then they lay the blanket over the block and finish rolling turning the wheel until the block is all the way through the press. I took two photos after I finished to demonstrate the process as it is probably hard to understand from what I have written. (The lino is upside down in the photo because it was not mine and I did not want to display some one elses image without permission) A word of caution, obviously you have to be very careful not to get your hands crushed doing this. One advantage the baren has over the press must be that it cannot cause terrible crushing injuries. Yes that and the fact that it does not weigh 1100 kilograms and can be moved while holding a cup of coffee in the other hand! I was, never-the-less, very happy with the results produced by the etching press and have become quite a fan. Yes, and I 'only' have 10 prints I need to edition, so that will keep me busy for . . . [Long item has been trimmed at this point. The full blog entry can be viewed here] |
This item is taken from the blog The Linocutter has a new adventure.
'Reply' to Baren about this item.