Message 1
From: Diana Moll
Date: Wed, 13 May 2009 13:34:33 GMT
Subject: [Baren 38866] Re: gold leaf on prints
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Message 2
From: Cucamongie # aol.com
Date: Wed, 13 May 2009 14:01:55 GMT
Subject: [Baren 38867] gold leaf
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Message 3
From: Barbara Mason
Date: Wed, 13 May 2009 14:27:22 GMT
Subject: [Baren 38868] Re: gold leaf on prints
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Message 4
From: Graham Scholes
Date: Wed, 13 May 2009 15:59:43 GMT
Subject: [Baren 38869] Re: selling prints on line
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Message 5
From: Barbara Mason
Date: Wed, 13 May 2009 17:40:49 GMT
Subject: [Baren 38870] photopolymer plates
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Message 6
From: Graham Scholes
Date: Wed, 13 May 2009 18:26:46 GMT
Subject: [Baren 38871] Re: photopolymer plates
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Message 7
From: Julio.Rodriguez # walgreens.com
Date: Wed, 13 May 2009 21:24:13 GMT
Subject: [Baren 38872] Re: Paul Binnie print and F. Morley Fletcher in Project Gutenberg
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Message 8
From: Eileen Corder
Date: Thu, 14 May 2009 02:58:45 GMT
Subject: [Baren 38873] Michelangelo
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Digest Appendix
Postings made on [Baren] members' blogs
over the past 24 hours ...
Subject: Studio Soundscape - with Kingfisher
Posted by: Dave Bull
How would you like to drop by my workroom for a visit? Do you live too far away? No fear ... with the 'Studio Soundscape' recording that was made this afternoon (with my new Zoom portable digital recorder), you can sit by my side as I work on one of the prints, and 'listen in' to what is going on. The Soundscape is linked from a new page in the 'Diversions' section of the Woodblock.com website. In order to make the recording a bit more understandable, I have created a photo 'essay' to show and explain just what it is that you hear during the 30 minute session, which was recorded while I sat at my bench working on a print from my 'My Solitudes' series - with the windows wide open ... The recommended way to listen to the Soundscape is by downloading it to your computer and then playing it in your favourite music player with headphones. This will give you the best stereo effect, and will put you 'right there' at the printing bench. But the audio can of course also be played directly in your browser too. I should mention that there is a very special 'bonus' included in this Soundscape. No sooner had I turned the recorder on, than I had a visit - an extended visit - from the local kingfisher. He flew back and forth all during the time I was printing. It was almost as though he knew that I was recording! I . . . |
This item is taken from the blog Woodblock RoundTable.
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Subject: Hierophant Blue Block and Lovers Key Block
Posted by: Phare-Camp
This item is taken from the blog Phare-Camp Art Journal.
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Subject: Go with the Flow
Posted by: Amie Roman
I am pretty sure that my Exposed print is of sufficient value to cover the "cost of entry" to the Oceans of Art exhibition at the Nanaimo Art Gallery, opening reception on Thursday June 11, 7-9 pm; however, I also thought that a few smaller pieces may be appreciated, as it can sometimes be difficult to sell large pieces. I had done a sketch of a piece of kelp (Macrocystis) that I'd photographed on Brady's Beach that I've had sitting in the back of my mind since I did it, with the intention of a reduction cut. I started off with a yellow ochre layer (didn't photo it), then later did a separate set of prints with a blend (rainbow) roll using yellow ochre, carbazole violet, and phthalo green: Flow II MDF block print, Dremel carved Daniel Smith water soluble inks on green kitakata paper © Amie Roman and then for some reason, printed the remaining ink on the block (not reinking the block) over the ochre layer and got this: Flow I MDF block print, Dremel carved Daniel Smith water soluble inks on green kitakata paper © Amie Roman After I finished enough prints for editions for those two, I decided to mess around a little and ended up with these two monoprints: [Long item has been trimmed at this point. The full blog entry can be viewed here] |
This item is taken from the blog Burnishings.
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