Thanks for the replies about methyl cellulose. I put my watery batch in the
fridge but it is still watery...I guess it would be a good idea to get the
real stuff. I wish I could buy it somewhere other than the art supply
store--I try to avoid that place. ;)
Another issue I am having right now is with my dampened paper. I have
recently tried a 1/2 ply 100% rag "barrier paper" that I got from a picture
framing supplier, and I like it quite well for hanga--its similar to Rives
lightweight in weight, and it really soaks up pigment. It also really soaks
up water, and buckles very easily when I first brush it with water. Would
it be better to use less weight on my paper so it can expand while settling?
Or a lot of weight at the beginning and less later on?
Thanks!
Jennifer Worsley
Good luck on your opening day Dave, as always we'll stay tuned for those
early reports....I guess with your exhibit talk/presentation now on the
first day it does not give you much chance to take a break......all the
best for a successful and well-attended exhibit !!!!
For any new comers out there here is a link to Dave's exhibit info and if
you go to the Event Report link you can review
and see photos of past exhibits.....
http://www.asahi-net.or.jp/~xs3d-bull/exhibitions_events/coming_events.html
Julio
And I have two prints in it!
Last night I went to Philadelphia for the reception at Spector Gallery, and
found a great show of woodblocks. I met many enthusiastic and dedicated
printmakers at the reception, including some old friends.
If anyone is nearby, make an effort to see this show!
Also, This group (Philadelphia Print Collaborative) will have a show in New
York during February at 55 Mercer gallery, the reception will be Wednesday,
February 15, 2006 from 5:30 - 8:00 pm.
Philadelphia Show Info:
What a Relief Exhibition:
An juried exhibition produced by the Philadelphia Print Collaborative
www.printcollaborative.org
January 20-February 11, 2006
Reception: Friday, January 20, 6-9 pm
SPECTOR Gallery, 510 Bainbridge, Philadelphia www.spectorspector.com
An exhibition of artwork inspired by the technique of woodcut selected by
juror Shelley Langdale, Assistant Curator of Prints and Drawings at the
Philadelphia Museum of Art
Katie Baldwin
Elizabeth Core
Amanda D'Amico
Kip Deeds
Stella Ebner
Christopher Hartshorne
Daniel Heyman
Dave Hoke
Rosemary Lane
Anthony Lazorko
Sarah McEneaney
Richard Metz
Eva Pietzker
Melissa Rucker
Marisha Simons
Miriam Singer
Patty Smith
Hester Stinnett
April Vollmer
Miriam Zegrer
Charles, it's been a while since I mixed methyl cellulose, but I believe I
followed the instructions which Talas has on their website for mixing,
_
http://talasonline.com/photos/recipes/methylcellulose.pdf_
(
http://talasonline.com/photos/recipes/methylcellulose.pdf)
It says to slowly mix in hot water til you get a smooth mixture, then you
can add cold water, etc. Check the website for full instructions. I believe
that using the hot water first gets the lumps out.
I store it in the refrigerator when not using it, and it keeps fresh for a
LONG time. Also, if you find after letting it sit that it's too thick, you
can always add water and stir til it gets to the consistency you like.
enjoy!
Sarah
This is a remarkable showing of prints...one of the finest I've
seen! It has just left the Block Museum, Evanston, Illinois.
If you'll be in San Antonio, Texas, this late winter make an
effort to see it!
It's only flaws:
-these needn't be specified as 'women's prints' --they
stand
as great prints!
-and they didn't publish a catalog!
Paths to the Press: Printmaking and
American Women Artists, 1910-1960 February 1 - April 2
Best wishes,
Sharen
I ordered and have just received Graham Scholes' DVD "The Art of Moku Hanga". I have learned so much more than I have been able to truly grasp in my readings. All the websites and such that I frequent are useful but just not the same as seeing it all in action. I have not had the opportunity to see Moku Hanga in action and probably won't in the near future so I just didn't have that feel for whether I was heading in the right direction. Yes, there is something to be said for experimentation but there is also that part about reinventing the wheel.
As an additional plus, my 5, 7, and 9 year old daughters sat down to watch it with me and Graham has such a soothing way that they remained calm and quiet the rest of the evening. Graham, perhaps you should market your DVD to Elementary schools...
I'm sure all you long-time-Bareners already know about the DVD (available from Graham's website) so this info is for any newcomers, like myself, just starting out.
Graham, thanks again for spreading your knowledge. No, I have not been paid to write this review. Just happy. Leigh.
In an attempt to make more connections and get my work out there I am
planning on applying to the Boston Printmakers Guild. I need five
slides for the application. I have chosen work that all fits in the
square format but have only been able to narrow it down to eight
pieces. I am sending a link to slideshow of them. Any help narrowing
it down would be greatly appreciated.
http://homepage.mac.com/swinghammer/PhotoAlbum38.html
--
~mLee
Marissa...
My choices:
Swirls
Swirls v3
Swirls v4
Cityscape v1
Cityscape v2
I also like Cells v1...
Diane
www.dianecutter.com
Diane,
I like Cells v1 a lot but it looks kind of lonely in the group. It has
a mate, but there is no way the mate is getting into the group. This
is a really hard decision. I am so afraid that I will choose poorly
and get rejected.
~marissa
I'd eliminate swirls v1 and vs, and definitely keep the cityscapes. The
third one to omit is the one you like least.