Daniel wrote:
>- my students have a hard time getting an even print -- their printing
>very often is spotted, "goma" or sesame technique. I keep telling them
>they have too much water, not enough nori, and need to reduce the
>wetness... Any other suggestions? Could it be the cheap proofing paper? We
>are using shin torinoko.
'Big' goma can be intentional, too... Just as you suggested, produce it
without paste -- produce BIG goma without paste and with 'wetter' block,
wetter pigment. Tiny goma made with little or no paste, printing very dry
and many such over-printings. Sometimes coarse paper texture simulates
goma where thinner spots don't print as heavily as thicker spots. Lighter
touch with baren more likely to produce goma-like effects than
heavier. Students can easily find out effects of paste by first printing a
larger area with pigment and water only (no paste or other binder /
dispersant) -- this reliably produces pronounced goma. Then print with
LOTS of paste (so brush is immediately charged with sufficient or excess
paste) which reliably produces no goma and pronounced brush marks. I
believe that Shin Torinoko can be printed very smoothly, and you should be
able to demonstrate this for students who are having problems using their
own pigment/paste/brush/block -- seeing is usually believing!
Mike
Mike Lyon
Kansas City, Missouri
http://mlyon.com