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Here is an overview of this outline page:
General Aspects of woodblock prints
The Woodcut process
The Wood Engraving process
Suppliers
Dictionary
Business Considerations
Teaching Printmaking
Collecting Prints
The 'Personal' Face of Printmaking
'Exhibitions' of prints and printmakers
Other sources of information on woodblock prints
General Aspects of woodblock prints
- What is a woodblock print?
- The Baren and the Burin (woodcuts and wood engravings)
- Japanese printmaking
- 'Traditional' printmaking / 'Creative' printmaking
- 'Seditious Beauty' - How woodblock prints can change history.
- 'Woodblock Dreams' - Story of a very special woodblock.
- 'Chats' on Japanese Prints
- European printmaking
The Woodcut process
Tools
- Tool types
- Basic carving tool types
- Fundamentals of carving tool use
- Sharpening
- Equipment
- Techniques
- Other carving tools and accessories
- Carving bench
- Barens
- Baren types, construction, etc.
- 'Breaking in' a new baren
- Fundamentals of baren use
- Re-covering the baren
- Re-winding the baren coil
- Baren alternatives
- Brushes
- Brush types, sizes, etc.
- Preparing the brushes
- Fundamentals of brush use
- Other printing tools and accessories
- 'Hakobi'
- General printing layout
- Printing bench
Materials
A: Wood
- Wood types
- Wood preparation
- Pigment types
- Pigment preparation
- Glue
- Paste
- Special 'pigments'
C: Paper
- Paper types
- Paper dimensions
- Sizing
Basic Process of Making a Colour Print
A: Overviews of the Printmaking Process
- The Japanese 'key-block' process
- Prints without keyblocks
- The 'reduction' process
- 'White-line' woodcuts
- Various artists' descriptions of their process ...
B: Preparation
- Suitable designs
- Preparing the tracing ('hanshita')
- 'Kento'
C: Carving
- Key block carving
- 'Three stages'
- Cutting the kento
- Cleaning the carved block
- Making colour separations
- Colour block carving
D: Printing
- Paper preparation
- Printing process
- Drying the prints
Technical Notes
- Creating textures and tonal gradations
- 'Ita bokashi' (block gradation)
- Carving 'hair'
- Fabric 'patterns'
- Using real fabrics
- Carved 'fabrics'
- 'Sabi tsuke' (brush strokes)
- Using an etching press
- Kento adjustment
- Using wood grain
- 'Tsubushi' (smooth flat colour) printing
- 'Goma zuri'
- Overprinted colours
- Gradation printing
- Baren tsuji (baren marks)
- Embossing
- 'Karazuri'
- 'Kimedashi'
- Mica powder
- Metals, gold leaf, etc.
- 'Seals'
- 'Front' printing
- Chinese printing method
- Problems for left-handed printmakers
- Problems during carving
- Block repairs
- Problems during printing
- Warped blocks
- Paper expansion and registration adjustment
- Blots, etc.
- Poor 'impression'
- Mold
The Wood Engraving Process
Tools
Materials
Process
Suppliers
- Suppliers in America
- Suppliers in Japan
- Product Reviews
Dictionary
Woodblock Printmaking terminology
Business considerations
- Packaging prints
- Displaying prints
- 'Editioning'
- Marketing prints
Teaching printmaking
- Why teach printmaking
- Practical advice ...
Collecting Prints
- Storing prints
- Viewing prints
- Problems
The 'Personal' Face of Printmaking
- 'Letter from the Studio'
- Newbies' Journals
'Exhibitions' of prints and printmakers
Printmakers currently active on the Web
Prints from Printmakers in Uganda
Other sources of information on woodblock prints
World Wide Web links
Workshops
Groups, Associations, etc.
Bibliography - Book Reviews