An opening reception will be held 6-8 p.m. Sept. 23, where guests will have the opportunity to meet the artists and see the artwork they are selling.
For more info visit: http://www.shiawasseearts.org/sept-nov-2011.html
July 16–October 23, 2011
For more info go to: http://www.umma.umich.edu/view/exhibitions/2011-mimpressions.php
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Earlier this year, Taiwan’s Council for Cultural Affairs awarded graphic artist Liao Shiou-ping one of three National Cultural Awards. The 74-year-old artist, renowned for blending Western printmaking techniques with traditional Taiwanese and Chinese influences, was recognised for his outstanding contribution to Taiwan culture.
Click here to read an article celebrating the artis's accomplishments.
To visit a retrospective website with many images and writings click on the image below. 
Cleveland artist Mabel Hewit, whose work is the subject of a delightful summer/fall exhibition at the Cleveland Museum of Art. Born in Conneaut in 1903 and raised in Youngstown, Hewit, who died in 1984, spent the last 50 years of her life in Cleveland and Parma, where she produced dozens of colorful prints redolent of small-town and city life during the Great Depression and the decades that followed.
Hewit learned from West Virginia native Blanche Lazzell, a leading practitioner of white-line woodcut technique, who gave instruction in her studio in Provincetown, Mass., during the 1930s. The exhibition's catalog, which presents original research by Jane Glaubinger, the show's organizer and curator of prints, states that Hewit must have studied with Lazzell in 1929, when she visited Cape Cod to attend a class in outdoor painting sponsored by Teachers College, or in the summer of 1933. Judging from a 1934 color woodcut, in which Hewit closely emulated a similar work by Lazzell, the latter's influence was profound and lasting.
For the complete article see: http://www.cleveland.com/arts/index.ssf/2010/07/hewit.html
More images below......
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"Mowing", color woodcut, (11" X 9.5")
"Along the River" , color woodcut, 1959 (8" X 8.5")
"Welcome Home", color woodcut, 1959 (77.8" X 5.6")
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Here are some very nice images by artist Carol Jessen. For more info and links to Carol's work and Chemers gallery go here:
http://chemersgallery.blogspot.com/2010/05/letter-to-carol-jessen.html.
To go to Carol's website click here: http://www.caroljessen.com/
"The Papermakers" (left) and "Slick Tracks" (right)
"Edge of the Bamboo Forest"
Ukiyo-E printing on a Vandercook proofing press- a quick runthrough from Mark Herschede on Vimeo.
The papermakers
Julio, if you want to add a link to an outside image (not one of our own uploaded images), and have the image show in the entry, then don't use the 'rich text' editor. You have to do it manually ... use the 'HTML Mode' button in the toolset above ...
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"A brief runthrough of the process I'm using right now to make a bank of images using woodcuts. By using tools which are not normally associated with one another, I've been working towards experimenting with mixing processes. Currently I'm researching the technical aspects of printing water based, japanese style woodblock printing on a vandercook through testing and manipulation of the materials involved."
"It is my hope to be scoffed at by Japanese moku-hanga printers and letterpress typesetting nerds alike. Please! Feel free to insult my experiments! (Or offer constructive criticism ;-) )! Get angry at my usage of a type proving press to print 'cuts'; become enraged at my seemingly smashing attempts at printing lovingly hand-inked blocks!"
For more info on Mark's experiments visit the links below.
Ukiyo-E printing on a Vandercook proofing press- a quick runthrough from Mark Herschede on Vimeo.
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From Blue Rim gallery in London:
Paul Binnie, May 2010, (New release)
Oban, 66 x 32 cm. Edition of 40.
'Inazuma' means Lightning, but is a literary term that brings ideas of fertilising the fields derived from ancient poetry. The large format of this print gives a dramatic feeling of the verticality of the bolt of lightning as it crackles between dark clouds and rain to earth.
Within the edition of 40, there are 14 different printings, including 3 printings of solid black overlaid to achieve a deep, opaque darkness in the heaviest clouds.
To see a vast collection of Paul Binnie's prints at Blue Rim Gallery visit this link.
]]>For more on the "colloblock" technique visit
http://www.estudioeditions.com.au/pages/Collograph-prints.html
