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Message 1
From: Sharri LaPierre
Date: Wed, 26 May 2010 16:52:45 GMT
Subject: [Baren 41350] Re: signing and numbering
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Linda & Viza,
Whether you print the entire edition at once is irrelevant - it is how
many you intend to print. If you intend to do 10 then number them, as
you print them (so keep a record), and if it is less than 10, no harm
done. You are only guaranteeing that you will do no more than 10. As
for the EV: if you are using different paper, color, etc. then it is
an Edition Variable. The way you have treated the waterfall (which is
a beautiful print in all stages) should be identified by States: I,
II, III, etc. and can also be identified as such in your disclosure
statement, or certificate of authenticity, or whatever it is called in
your location.

Happy printing,
Sharri

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Message 2
From: Viza Arlington
Date: Wed, 26 May 2010 18:45:33 GMT
Subject: [Baren 41351] Re: signing and numbering
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Thanks for the kind comments and advice on numbering.
but now i have more questions of course. I thought that "states" had
to do with a change in the matrix? since my matrix is the same in both
versions of the waterfall should i just number then all as EV? 1/30EV,
2/30EV, 3/30EV.....Or the oil based print Gold and Silver Falls I
1/20, 2/20, 3/20.... and the white line print Waterfall II 1/10EV
2/10EV 3/10EV....
thanks again,
viza

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Message 3
From: Barbara Mason
Date: Wed, 26 May 2010 19:25:04 GMT
Subject: [Baren 41352] Re: signing and numbering
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Viza,
It is two editions, I think you should number them 1/30 for each one and note on the back of the print that another edition exists in either oil or water based inks, or you could call one of them a second edition and note on the back the change from water to oil or vice versa
It is not exactly varied editions since all 30 prints are the same in both editions. You are right about the matrix changing in a "state".
My best
Barbara

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Message 4
From: "Maria Arango Diener"
Date: Wed, 26 May 2010 20:13:40 GMT
Subject: [Baren 41353] Re: signing and numbering
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-----Original Message-----

>Or the oil based print Gold and Silver Falls I
>1/20, 2/20, 3/20.... and the white line print Waterfall II 1/10EV
>2/10EV 3/10EV....
>thanks again,
>viza
--------

That one!


[=o=][=o=][=o=][=o=]
www.1000woodcuts.com
ww.artfestivalguide.info
[=o=][=o=][=o=][=o=]

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Message 5
From: Marilynn Smith
Date: Thu, 27 May 2010 00:03:19 GMT
Subject: [Baren 41354] congrats Linda
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Linda, your print is gorgeous, congrats to you! I am somewhere in
southern California on my way back to Washington, sitting drinking a
cool beer. The RV parks want extra for internet and the pubs have it
for free, so I can sip a cool one and chat.

I appreciate the info on phenolic press beds. I try to leave mine at
the coast well oiled, but one season I don't recall what happened but
it was oiled but left something it and the rust has begun. If I need
to replace it, I will definitely look into one of these. (we have high
humidity and salt water)

Hope to get home and work on my MAP.

Marilynn

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Message 6
From: john ryrie
Date: Thu, 27 May 2010 01:12:33 GMT
Subject: [Baren 41355] RE: Baren Digest (old) V51 #5259
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Trudi, I put a coat of shellac on my woodcuts this stops water or solvents soaking into the wood.
for ink that is hard to wash off by drying on the roller citrus cleaner is good.

Hi every one I haven't been on the list for about 11 years and just found the site again.
you can see some of my work at www.chrysalis.com.au and go to John Ryrie in the list of artists.

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Message 7
From: "Ellen Shipley"
Date: Thu, 27 May 2010 04:12:06 GMT
Subject: [Baren 41356] Re: John Ryrie
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Love your work, John. I especially love your dogs.

Ellen Shipley

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Message 8
From: Gayle Wohlken
Date: Thu, 27 May 2010 11:33:30 GMT
Subject: [Baren 41357] John Ryrie's Work
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John, it's good seeing you on Baren again. I noticed on the Chrysalis
site that you had won an award for your print, "Moon Reflections
II". What a stunning print that is! http://www.chrysalis.com.au/Artwork-Ryrie-TheMoonsReflectionII-2310.htm

~Gayle

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Message 9
From: Georgina Leahy
Date: Thu, 27 May 2010 11:46:53 GMT
Subject: [Baren 41358] Re: John Ryrie's Work
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Hi John

I have long admired your work, it is nice to know that you are a member of this forum.  I have only been a member for a year or less.  I am one of the Australian members. 

Georgina Carter-Leahy

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