Today's postings

  1. [Baren 37633] Cases for Baren exchanges (Darrell Madis)
  2. [Baren 37634] Exchange 39 (AEleen Frisch)
  3. [Baren 37635] from Carol Lyons (ArtfulCarol #
  4. [Baren 37636] Re: from Carol Lyons ("cjpiers")
  5. [Baren 37637] Baren Member blogs: Update Notification (Blog Manager)
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Message 1
From: Darrell Madis
Date: Wed, 10 Dec 2008 17:26:30 GMT
Subject: [Baren 37633] Cases for Baren exchanges
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Don't forget to order a case for your Baren exchanges.  We now have a good supply of these beautiful cases on hand, the perfect way to keep all the prints in an exchange together.  You can order 2 sizes through the Mall at this page:

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Message 2
From: AEleen Frisch
Date: Wed, 10 Dec 2008 17:35:53 GMT
Subject: [Baren 37634] Exchange 39
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Happy December Holidays All,

Exchange 39 continue on. I have received the first set of prints, from
-- drum roll -- Sarah Hauser, winner of the promptness prize. Hopefully,
everyone else is enjoying carving and/or printing by now. I plan on
getting a lot done Christmas week when everyone is away.

Your Friendly Exchange Coordinator,


AEleen Frisch, Ph.D.
aefrisch at lorentzian dot com

Exponential Consulting
340 Quinnipiac St. Bldg. 40
Wallingford, CT 06492 USA
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Message 3
From: ArtfulCarol #
Date: Wed, 10 Dec 2008 18:27:51 GMT
Subject: [Baren 37635] from Carol Lyons
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I am happy to report John Center has appeared, alive and well! He had
> problems that kept him from us. No website. No e-mail.
> John is having a woodblock exhibit in Mamaroneck, NY at the Westchester
> Jewish Center. It opened yesterday until Feb 15, 09 . From the
> " A New Look for an Old Book
> The Haggadah, by John Center.
> The artist has transformed ..traditional pages with a modern
> application of the medieval craft of
> woodcutting"
> There was a wonderful presentation and explanation to very interested
> viewers with questions..
> I was asked how I first discovered John (long story) and I was able to
> all about Baren. Some copied down websites, especially of our 911
> in the virtual gallery of National September 11 Memorial and Museum
> _http://registry.national911memorial.org_
> (
> click "B" for Baren and you will be able to open "view portfolio" .
> you can also click "view artists statement " to read about Baren.
> Best for the Holidays
> Carol
> Lyons
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Message 4
From: "cjpiers"
Date: Thu, 11 Dec 2008 03:02:07 GMT
Subject: [Baren 37636] Re: from Carol Lyons
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Thanks for that Carol! I had been wondering.
Connie Pierson

Digest Appendix

Postings made on [Baren] members' blogs
over the past 24 hours ...

Subject: Ready for the last block!
Posted by: Pistoles Press

Well, it has taken me three days to get to this point and now I will rest! I am leaving the final key block (brown outline of the persimmons) for my demonstration on Saturday. Not much is left to the imagination at this point though and these are intriguing without the outline but I'm hoping the outline with "seal the deal so to speak". Hopefully, I can print the titles for these on Sunday but that is if all goes well. This past Saturday I only had time for one impression although I had intended on doing three. In the middle of printing, I got a phone call from my brother in-law asking me if I would attend his wife's birthday party that night. Well, I very well couldn't miss that. She is carrying triplets and you have to give it up for a lady that can do that!
The first impression was a wash made of nori and a golden yellow. It was pale just like the under wash of the painting.

On Sunday, I started the first bokashi again with the golden yellow wash (which was barely noticeable, bleh). For reasons I can't remember, I then printed the light blue parts of the geometric background. I think the light colored shapes were messing with my head and I needed the blue to feel more grounded. After I printed the light brown colored calyx, I called it a night. I had carved little highlight dots in the calyx block to give some contrast. They were very tiny and I knew they would be hard to print. Some came out and some did not but it really didn't matter to me. My paper was still wet when I left on Sunday night and I stayed home on monday but I had turned the thermostat back in my studio so that it would remain cool. I don't worry about mold taking place in the winter but paper disintegration was another matter all together. But when I returned on Tuesday all was well. I think I had sixty some sheets of paper printed up and I started out looking at them like "Ugh, my back is killing me but here we go."

I printed the golden yellow bokashi and then a strong orange and the fruits really started to glow off the page. It was a wonderful experience! Another bokashi of burnt orange and the cobalt geometric background and I have reached the point that is pictured above. I could barely feel my legs and tail bone after that though. My studio is entirely on concrete and I had to stretch constantly while printing to keep my joints from fusing. I recommend Sam & Dave or Aretha Franklin to set the speed! Now, I know someone is just dying to point out that I need to make one of those nifty little tables to print at and I will not deny that it is on my wish list but 1. I need sharpening stones before that 2. there is no more room left in my studio and lastly and chiefly 3. my clutch gave out in my '98 Honda so ain't nobody gett'n nuth'n for christmas this year.

This item is taken from the blog Pistoles Press.
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