Baren Digest Sunday, 24 November 2002 Volume 21 : Number 2038 ---------------------------------------------------------------------- From: "marilynn smih" Date: Sat, 23 Nov 2002 07:10:03 -0800 Subject: [Baren 19927] Re: Baren Digest V21 #2037 Thank you Mike Lyon for the job of scanning and placing the prints for 14a on the website. I know an extra exchange is extra work but this one seems to have been well worth it. Hope everyone else loves these prints as much as I do. And if I did not do this with a sense of humor it would not be the same. We should enjoy our art and all parts of it. Marilynn Smith Nahcotta, Washington ------------------------------ From: Cucamongie#aol.com Date: Sat, 23 Nov 2002 10:30:59 EST Subject: [Baren 19928] Jeanne's hanga post Hi all. Jeanne, if you have any sumi ink, I would try using that to get a nice rich black. You can also printing the same block several times so you have several layers. Thanks all for your nice words about my sheepy print- happy printing! Sarah ------------------------------ From: "Lee and Barbara Mason" Date: Sat, 23 Nov 2002 07:59:41 -0800 Subject: [Baren 19929] framing We were talking of framing on after-5 but think this is a a topic that belongs on the main list so we can all whine about it. Gayle, I am quoting you here without your permission so I apologize in advance: Gayle said, I feel this framing problem is holding me back from getting my work out there. I notice people were willing to buy the work when it was under $100 since I sold five of them at that show. However, I want the framing to be archival and only two of the sold ones were framed professionally and archivally. Framing is very expensive if you pay someone to do it for you. A sheet of 100% rag matboard costs $8.17 wholesale if you buy 25 at a time. 32x40 inches in size and this does not include the foam core. My solution is to do it all myself. When I had a small studio, I saved it up, then cleaned everything I could find up and put everything away and covered all surfaces with brown paper....you know how easy it is to get ink on stuff in a printmaking studio. Then I would drag out all the framing stuff and frame for two days. Metal frames are faster to use and cheaper to buy. Now I have a larger studio and have a space dedicated to clean and framing. I do use it for other stuff, but never take ink in there, so it stays clean. My suggestion is to get several artists together and form a framing coop. Buy the simplomatic matcutter, not the cheapest one but the next one, about $250-$300. It has the blade in holders that remove from the arm that holds the matboard. This is the most accurate mat cutter for cutting center cuts I have used and I have them all the way up to the $2000 Fletcher. I use my expensive one for cutting foam core and it does cut a 60" cut so do use it for really large stuff of which I have very little. Find a frame wholesale place that will sell you matboard and frames wholesale, keep looking until you do, even if you have to ship it in from far away. All you need is a business licence or tax number to do this. You do not usually need to buy in large quantities, My supplier will sell one piece of matboard. However, they are nicer to you and more anxious to help you if you make life easy for thm, so I tend to order only a couple of times a year and order a lot at once. I always visit with the sales person so they remember me....very important in business for them to remember you. Who ever has the room stores the mat board and frames and you get together and do the work. Framing is like cooking, you can learn to do it. If you are really unsure, go take a class. Almost all frame shops offer them, or will teach you one on one. Do simple frames and matts, anyone wanting fancy can do it themselves after they buy it. If you want to save money, you can put acid free interleaving between your work and the foam core, saving the need to back work with expensive mat board. It costs me $40 to frame a piece of work that is 20x24" in a metal frame with archival materials. I use 100% rag mat, metal frames and linen tape. I never use frame space as I would rather lift the mat with foam core if I need it higher. I like the look of a mat, but that is my personal choice. After 20 years I have gotten pretty good at this and anyone who wants lessons, come on over! Wooden frames cost more and take longer to frame, I think they are nicer, but I am selling prints, not frames. I used to buy frames at wall mart and target. They were not expensive and worked well for lots of years....they were inconsistant in color and style, so that is why I finally went to all metal frames. but they worked very well. You just had to be careful as sometimes they were not as well made as one would like. The only way to save money on this process is to do it yourself! Best to all, Barbara ------------------------------ From: Mike Lyon Date: Sat, 23 Nov 2002 10:21:42 -0600 Subject: [Baren 19930] Re: framing At 07:59 AM 11/23/2002 -0800, Barbara wrote: ><...snip...> Wooden frames cost more and take longer to >frame, I think they are nicer, but I am selling prints, not frames. ><...snip...>The only way to save money on this process is to do it yourself! >Best to all, >Barbara I was in mid-reply to Gayle when Barbara's came in (faster typer, Barbara is!) and I agree. Couple of thoughts... I use archival "museum board", for the mats and 'archival' foam core (with rag surfaces) for backs. I prefer white/white, but the creams look good, too. It's my aesthetic, I think, but I generally don't like metal frames. I buy large-enough-for-discounts quantities of two colors of Arquati 'brevet' wood moulding, one in black and one in 'natural' wood tone (like yellow birch). The mouldings are about 1 1/2" deep with a 3/4" face (more or less). I use a power chop-saw to cut the miters, but it's an expensive tool $300+ -- not-quite-as-good results can be had with a hand saw and miter frame. I cut the stock to size, (use a sharpie marker to darken the white inside surfaces of the black mouldings), then a cheap ~$7 framer's vice (holds two pieces at right angles) to glue up each of the corners. I use a pneumatic pin-nailer to 'invisibly' pin the corners, four pins per corner. That's another expensive set of tools, $120 for the gun, more for the compressor to drive it. Similar function can be had with a $5 hand-drill and 1/32" bit and then tap brads into the holes and fill them. Takes me less than 10 minutes to build a frame of size from scratch, including a UV plexi 'glass' which I cut on my $$$$$ table saw, and the results are 'professional'. If I don't count the cost of all that equipment and my labor, a 16x20" frame costs about $12. Mike Mike Lyon mailto:mikelyon#mlyon.com http://www.mlyon.com ------------------------------ From: "Lee and Barbara Mason" Date: Sat, 23 Nov 2002 08:46:07 -0800 Subject: [Baren 19931] Re: framing Takes me less than 10 minutes to build a frame of size from > scratch, including a UV plexi 'glass' which I cut on my $$$$$ table saw, > and the results are 'professional'. If I don't count the cost of all that > equipment and my labor, a 16x20" frame costs about $12. > Mike Ok Mike, get ready for the order to come in...we all want these frames....heheheheh some of us are power tool challenged, you know! Barbara ------------------------------ From: Date: Sat, 23 Nov 2002 09:26:03 -0800 Subject: [Baren 19932] FRAMES Well Mike and Barbara, here's one for you. Yesterday I got a shipment in of 13 frames [16 by 20], the 13 was to make the $100 minimum this company has. Not being a frame aficionado, they look great to me and only $7.95 each. They are 3" moldings and nicely finished, I got white-wash. The company's name is Wholesale Art and Frame Ltd. They are at: www.whslartframe.com check them out, 'might be interesting. No resale # required either. They a Florida company. I ordered from their Calif. office. It took UPS 3 days to get them to me. Good luck, Philip Hammond, OR USA ------------------------------ From: Mike Lyon Date: Sat, 23 Nov 2002 12:28:56 -0600 Subject: [Baren 19933] Re: FRAMES you wrote: >Well Mike and Barbara, here's one for you. Yesterday I got a shipment in >of 13 frames [16 by 20], the 13 was to make the $100 minimum this company >has. Not being a frame aficionado, they look great to me and only $7.95 >each. They are 3" moldings and nicely finished, I got white-wash. The >company's name is Wholesale Art and Frame Ltd. They are at: >www.whslartframe.com check them out, 'might >be interesting. No resale # required either. They a Florida company. I >ordered from their Calif. office. >It took UPS 3 days to get them to me. >Good luck, >Philip >Hammond, OR >USA Great sale on used framing equipment coming soon! ------------------------------ From: "Lee and Barbara Mason" Date: Sat, 23 Nov 2002 10:14:43 -0800 Subject: [Baren 19935] Re: FRAMES Phillip, The price is right but they are too fancy for me, I want gallery molding, plain, trim and thin, nothing that takes an iota away from the print...but I did use frames sort of like this at one time. I have just changed my taste. These look good, but you still have to mat the work, unfortunaltely. There used to be a place in Oregon that you could order cut mats...let me see if they are still around...yes, here is the url http://www.documounts.com/ They used to cut mats to order and also the inside cuts...I have not dealt with them for a long time, they were bought out by beard's framing, a big Portland company a few years ago so I have no idea of the service now, but take a look. Best to all, Barbara > : www.whslartframe.com check them out, 'might be interesting. No >resale # required either. They a Florida company. I ordered from their >Calif. office. > It took UPS 3 days to get them to me. > Philip ------------------------------ From: ArtfulCarol#aol.com Date: Sat, 23 Nov 2002 13:44:32 EST Subject: [Baren 19936] Re: Blacks Hi, My discovery of the week is using Artisan water mixable oil painting medium( WN) with gouache. Just a few drops of the oil into the gouache has made me feel much better. I have already used all the usual additives and unusual ones but this seems easiest. It also depends on the wood and your paper. There is also a line of Artisan water mixable oil colors (WN) and a similar line by Grumbacher.. I think it is worth trying. Carol Lyons Irvington, NY ------------------------------ From: "Lee and Barbara Mason" Date: Sat, 23 Nov 2002 11:14:19 -0800 Subject: [Baren 19937] water soluble? or not Carol, Be sure to clean your blocks well, do not think that this artesian medium will not set up like a rock just because it is watersoluble. When dry it is not. So do not let ink mixed with most stuff that says "watersoluble" dry on your blocks....or you will have nice blocks with the lines all filled in like cement. Best to all, Barbara > My discovery of the week is using Artisan water mixable oil painting medium( > WN) with gouache. Just a few drops of the oil into the gouache has made me > feel much better. > There is also a line of Artisan water mixable oil colors (WN) and a similar > line by Grumbacher.. I think it is worth trying. > Carol Lyons > Irvington, NY ------------------------------ From: "Robert Canaga Gallery" Date: Sat, 23 Nov 2002 13:56:04 -0800 Subject: [Baren 19938] Re: water soluble? or not Hi, That stuff is made from a modified linseed oil mix with a synthetic lethicyn(sic) so it will take water...think of mayonnaise. I will acidify as it ages so it may hurt your paper after while. RC ------------------------------ From: Date: Sat, 23 Nov 2002 14:06:41 -0800 Subject: [Baren 19939] Frames and mats Yes Barbara, Documounts here in Oregon is a good place to shop. You just tell them the image size and they will cut the mats, whatever color or width, double or single mat. They are not much on sales, as I recall, but very helpful. Philip Hammond, OR USA ------------------------------ From: Milky Scarabs Date: Sat, 23 Nov 2002 15:03:57 -0700 Subject: [Baren 19940] so many good tips on becoming an ideal exchange participant! >Was it little leprechauns who sorted recounted rechecked and sealed all >those packages for 14a? marilynn, thanks so much for sharing your print coordination experiences... it gives me a more clear idea of what issues may come up for me at the end of january when i'm putting together the packages for #15! *crossing my fingers* :) i hope -all- participants (past, present, and future) have read through what you "learned" and have taken copious notes on it! ;) looking forward to seeing #14a!!! (...and #15!) :D - -- love <3 & lint * ! kat, exchange #15 coordinator http://home.earthlink.net/~milkyscarabs ------------------------------ From: ArtfulCarol#aol.com Date: Sat, 23 Nov 2002 17:59:55 EST Subject: [Baren 19941] Re: water soluble? or not Hi, About the cement which was predicted-- None so far All week long I have been using Artisan water mixable oil medium with gouache and have had no problem. Sometimes I leave it on the block for a few hours or overnight (!) and then wash it off the next day when I change color schemes. I am using Luan because it is a wood with fine line texture which prints well. What can I say? That is my experience. Carol Lyons Irvington, NY ------------------------------ From: "Lee and Barbara Mason" Date: Sat, 23 Nov 2002 15:42:28 -0800 Subject: [Baren 19942] Re: water soluble? or not Carol, You lucked out....I would certainly not leave it on over night, you were just lucky the mixture was not enough to dry..it would eventually and not come out. Just a warning that everything that says watersoluble does not mean it will rewet and come off...Elmers glue is watersoluble...... Glad you had no problems! Barbara > Hi, > About the cement which was predicted-- None so far All week long I have > been using Artisan water mixable oil medium with gouache and have had no > problem. Sometimes I leave it on the > block for a few hours or overnight (!) and then wash it off the next day > when I change color schemes. > > I am using Luan because it is a wood with fine line texture which prints > well. > > What can I say? That is my experience. > > Carol Lyons > Irvington, NY > > ------------------------------ From: "Lee and Barbara Mason" Date: Sat, 23 Nov 2002 15:42:28 -0800 Subject: [Baren 19943] Re: water soluble? or not Carol, You lucked out....I would certainly not leave it on over night, you were just lucky the mixture was not enough to dry..it would eventually and not come out. Just a warning that everything that says watersoluble does not mean it will rewet and come off...Elmers glue is watersoluble...... Glad you had no problems! Barbara > Hi, > About the cement which was predicted-- None so far All week long I have > been using Artisan water mixable oil medium with gouache and have had no > problem. Sometimes I leave it on the > block for a few hours or overnight (!) and then wash it off the next day > when I change color schemes. > > I am using Luan because it is a wood with fine line texture which prints > well. > > What can I say? That is my experience. > > Carol Lyons > Irvington, NY > > ------------------------------ From: Julio.Rodriguez#walgreens.com Date: Sat, 23 Nov 2002 23:25:20 -0600 Subject: [Baren 19944] Sheep & map update...... 11/23/2002 11:30:39 PM The participants list has been updated with Louise, Elizabeth & Myron. Also a couple of duplicates were removed. We are sitting at 42 participants but with a month left on the signup period....please make sure you check back often for the full final list. http://www.skokienet.org/bandits/jcrstuff/blacksheep/ Also we have four days left to party.....and we are about 17 short to make a full 100 on the BarenMap...so if you have not posted to the map...do it now and help meet our goal... http://pub15.bravenet.com/guestmap/view.php?usernum=1239044438 thanks for playing along.......Julio ------------------------------ End of Baren Digest V21 #2038 *****************************