[Baren]: The mailing list / discussion forum for woodblock printmaking. Baren Digest Friday, 20 August 1999 Volume 08 : Number 666 ---------------------------------------------------------------------- From: Gayle Wohlken Date: Thu, 19 Aug 1999 09:45:30 -0400 Subject: [Baren 5298] Re: Baren Digest V8 #665 Sarah asked: > Gayle - where did you get the "blank seals" from? I believe I ordered it from Aiko's, Sarah. When I get back from Tennessee I'll check. We're leaving in 15 minutes. Gayle ------------------------------ From: David Bull Date: Thu, 19 Aug 1999 22:56:01 +0900 Subject: [Baren 5299] From the fair ... (This message was received from Matt Brown this evening, but didn't get sent out directly because he used a 'non-subscriber' address ...) *** Dave, - --- You wrote: > Bea and Lynita wrote about visiting Matt Brown's 'fair' > Hey, didn't anybody take along a camera? I'd love to see some shots > of this! If anybody has some, _please_ send them to: > ftp://woodblock.com/incoming A fellow loaned me a Sony digital camera for an hour so I do have some stuff I could send over but am not able to figure out how to use your woodblock.com/incoming. Can you explain? Also borrowed a fellow's camera to take a picture of Sandy Wadlington printing while Bea and her husband look on.. . . may not get prints for several weeks. Matt *** Matt then attached a photo from the fair to another email for me. I have just put it up at: http://woodblock.com/temporary/fair.jpg As far as sending images to the ftp site, the process is extremely simple. I will describe it here for those of you using Netscape Navigator, but I'm sure that Explorer will work the same way ... (1) Prepare your image, a .jpg file is usually the best format. (2) Start up your browser program, just as though you were going to browse the net for something ... (3) Type this address into your browser's 'Location Field': ftp://woodblock.com/incoming (4) You will then be connected to the woodblock.com ftp site, and will see a short 'welcoming message' in your browser window. (5) Go to your browser's 'File' menu and select the 'Upload file' option. (6) The browser will ask you to identify which file you wish to send. (7) Once you do so, the file will be automatically uploaded to woodblock.com (8) That's all. (Actually there is one more step - send me an email telling me what you've done, so that I can go and dig out the file and do something with it.) This is an extremely fast, simple and foolproof way of sending me images - - far better than using email attachments. OK Matt, we're waiting! Dave ------------------------------ From: Sherpsm@aol.com Date: Thu, 19 Aug 1999 16:33:22 EDT Subject: [Baren 5300] Re: Woodblock magazine article Dave Thanks for sharing Gosho-san's site with us. Interesting Baren construction pictures and Gosho-san's prints are wonderful. An article on woodblock prints has appeared in the current issue of the magazine: Style 1900, The Quarterly Journal of the Arts and Crafts Movement. The article is titled Glowing Spots of Color by Steven Thomas. It is a brief article on the woodblock print movement in the United States in the early part of this century. I thought some of you might be interested in knowing about it. It is not an in-depth article but more of an introduction to the general public. Arthur Wesley Dow, Frank Morley Fletcher Bertha Lum Walter Phillips and other printmakers are mentioned. The is a listing of artists by location and many of the names I have never seen before. Joe ------------------------------ From: Graham Scholes Date: Thu, 19 Aug 1999 18:33:51 -0800 Subject: [Baren 5301] McClain's paper I thought it would be interesting to post a reply the April regarding a sample piece of paper that she sent me. This from April------------- >Till now Elaine has been my source with two types only. >I enclose a piece of her "Kizuki hanga" double weight paper $30 (US) for >40" x 26" single sheet price ($25 for 100). - --------------------------- It is interesting to see Elaine's paper. My observations are: the weight is substantial, however the roughness is beyond what I expected. Have you printed on this paper and how do you get a smooth lay of pigment when using a baren. I should think it would be extremely difficult causing a great deal of speckle and texture. I could see the roughness would not interfere with printing on a press with lots of pressure. Has anyone else out there used the above paper and what are the results. Regards, Graham ------------------------------ End of Baren Digest V8 #666 ***************************