[Baren]: The mailing list / discussion forum for woodblock printmaking. Baren Digest Thursday, 29 April 1999 Volume 07 : Number 547 ---------------------------------------------------------------------- From: "Bea Gold" Date: Wed, 28 Apr 1999 09:03:18 -0700 Subject: [Baren 4251] shina splitting Grahm, Thanks for the lesson on varnish - I have had shina splintering for the first time and have used it for several years - has anyone noticed a difference recently? Bea ------------------------------ From: Graham Scholes Date: Wed, 28 Apr 1999 09:25:49 -0700 Subject: [Baren 4252] Re: shina splitting I had to use it on the Concert series and found one piece that was arguing and rebelling about the cut and the way I wanted it to go. So, being the nature of the beast you get the good with the bad..... Not much help but what the hell..... Graham ------------------------------ From: Jack Reisland Date: Wed, 28 Apr 1999 08:44:57 +0000 Subject: [Baren 4253] Re: No subject was specified. > The article is by the contemporary artist Anselm Kiefer btw , > allthough KW byline is attached. I clipped this from the introduction to the article," Anselm asked Ken to write an essay for his next major art exhibit." This is that article. Jack Reisland ------------------------------ From: Jack Reisland Date: Wed, 28 Apr 1999 08:53:52 +0000 Subject: [Baren 4254] Re: re authorship My apologies back at ya'. I set a correction before I read down to you own correction. And yes, I went to several sites to view Anselm's work, thinking that I had missed something, but I must admit, at least on the work I found I couldn't make much of anything of it, let alone anything transpersonal. It actually seemed more to fall into the category of postmodern art that Ken Wilbur was criticizing. Jack Reisland ------------------------------ End of Baren Digest V7 #547 ***************************